Course description
Davinci Resolve: Intermediate
A person who wishes to work in the video field or who currently works in the field, looking to learn advanced node pipelines, animation techniques, and RAW file format theory and workflows. Some students may be mainly interested in creating video primarily for the Web, and others for film, but the majority are preparing more for work in broadcast video. We offer Davinci Resolve Training in London, Manchester, or as live online classes, so students can attend from anywhere.
Suitability - Who should attend?
Before taking this course, you should have a basic understanding of your computer’s operating system. For example, you should know how to launch an application, create and save files, and copy files from CDs and other media. We recommend taking ourDavinci Resolve Beginner Courseif you are not familiar with the software.
Outcome / Qualification etc.
We look at grading techniques that focus on preserving the quality of the original colour data of the footage this will be accomplished through carefully constructed node workflows and correctly set up RAW projects. Grading styles and looks will be designed using a variety of advanced grading palettes in Resolve, together with the Resolve FX panel and group-based workflows. The session will end on developing a good understanding of delivery formats and workflows. This course is an ideal follow-up to Color Grading in DaVinci Resolve or Editing in DaVinci Resolve but it is open to any colorist with hands-on experience.
Training Course Content
Day 1
HSL Curves
Groups workflows
Node Editor:
- Parallel and Layer Mixer Nodes
- Splitter Combiner Nodes
- Compound Nodes
Nodes Keys:
- Outside Nodes
- Key Palette
- Key Mixer
- External Nodes
- Copying Nodes
- Green Screen Compositing
Day 2
Versions:
- Local
- Remote
- Master Timelines
Additional Color Page Palettes:
- Sizing Palette
- Blanking and Resolutions
- Data Burn-In
Keyframe Editor:
- Dynamic/Static keyframes
- Rotoscoping
RAW Setup:
- Camera RAW in Project Settings
- Difference between Rec.709, Log and RAW
- 4K Workflow
Colour Match
LUTs
B&W Grading
Day 3
Copying Timeline Grades with ColorTrace
Noise Reduction
- Temporal
- Spatial
- Motion Blur tool
Effects in the Color Page Deliver Page:
- Understanding compression methods
- Common codecs
Dailies Workflow:
- Master Timeline
- Deliver Page
Roundtripping:
- Premiere Pro
- DPX for VFX workflows (from AE to Resolve)
- Archiving/Restoring Projects
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